Tom Cruise and the Color of Money

Tom Cruise and Paul Newman in "The Color of Money" - it's a pairing that nobody saw coming, but somehow it worked. In this classic Scorsese film, Cruise played a young and ambitious pool hustler who gets taken under the wing of Newman's grizzled, veteran character.

But let's be real, the real draw of this film wasn't the plot - it was the sheer absurdity of seeing Tom Cruise and Paul Newman sharing the screen. I mean, who would have thought that the star of "Mission Impossible" and the star of "Butch Cassidy and the Sundance Kid" would have such great chemistry? It's like if Superman and Batman decided to team up for a buddy cop movie - it's just too good to be true. But somehow, against all odds, Tom Cruise and Paul Newman pulled it off.

The film opens with Scorsese channeling his inner pool shark to take on the challenge of directing a film about the art of hustling in the high-stakes world of pool. Who better to lead the charge than Tom Cruise, known for his intensity, and Paul Newman, the seasoned veteran with a grin that could charm the socks off anyone?

As the trio convened on set, it became clear that Scorsese's vision involved more than just mastering the perfect break. The script had its fair share of twists and turns, with Cruise eager to learn the ropes from the veteran hustler. The result? A bromance for the ages, complete with dazzling shots and witty banter.

Picture this: Scorsese directing a pool hall scene where Cruise, with a determined glint in his eye, attempts a jaw-dropping trick shot, only to accidentally knock over a stack of cues. Newman, ever the smooth operator, delivers a deadpan line that has the crew in stitches. Scorsese, embracing the chaos, decides to keep the blooper reel as an homage to the unpredictable nature of filmmaking.

But it wasn't all smooth sailing – or smooth pool shots. Cruise, known for his intense commitment to his roles, insisted on doing his own stunts, which included some daring pool table acrobatics that left the crew gasping. Scorsese, torn between concern and amusement, decided to roll with it, capturing Cruise's acrobatic escapades on film and turning them into unexpected comedy gold.

Newman, on the other hand, brought a level of cool sophistication to the set that could only be rivaled by the best shots on the pool table. His effortless charm and decades of experience kept the atmosphere light, even when Cruise's pool antics threatened to send the crew into fits of laughter.

As the film wrapped, Scorsese, Cruise, and Newman found themselves with a masterpiece that defied expectations – a comedy-drama about pool hustling that became an unexpected classic. Audiences couldn't get enough of the chemistry between Cruise and Newman, and Scorsese's departure from his usual fare proved to be a stroke of genius.

And so, in this quirky alternate universe, "The Color of Money" became the unlikely crown jewel in Scorsese's filmography, showcasing the director's ability to navigate uncharted waters with a pool cue in one hand and a script full of surprises in the other. As for Cruise and Newman, they left the set with a shared love for the game, a few scratches on the pool table, and a friendship forged in the chaos of movie magic.

Watch the preview here.

Ian Maisel

When I was in high school I worked as a movie theater projectionist, acted in my school plays, and published a series of autobiographical comic books that I sold at music and bookstores. I’ve always loved entertainment, and at Brown University I double majored in Visual Arts and Modern European History because the history teachers told the best stories.

My career began at an artificial intelligence startup company where I worked as a graphic designer and animator creating 3D avatars for virtual personalities. I used a program called Poser that was kind of like a Barbie Dream House for cartoons. My comic illustrations were published in the international edition of Time magazine.

In 2006, I completed a graduate Certificate of Publishing and Communications at Harvard University, where I studied creative writing, acting, and media production. I auditioned for the student theater and was cast in a high-brow Chekhov play and a low-brow undergraduate comedy where I played a California high school guitarist like Keanu Reeves in Bill and Ted’s Excellent Adventure.

At Boston College I continued developing my career as a graphic designer and went on to work as an animator at a Jewish nonprofit. In 2008 I left Boston to chase the California dream. I got a job in San Francisco as a litigation graphics specialist for intellectual property attorneys, and I worked on some high-stakes legal trials where I barely slept for a week!

After five years I transitioned into the corporate world and worked as a contract presentation designer at Visa and Bare Minerals. I enjoyed collaborating with senior executives to bring their ideas to life through graphic storytelling and large-scale event presentations. One of my highlights was getting to opportunity to produce an in-house interview with the supermodel Christy Turlington!

In 2017 I took on my first Senior Designer role at Alexandria Real Estate, where I designed high-end investor presentations and art directed photoshoots for major tech companies including Facebook, Google, and Pinterest. The following year I flew out to LA to study video production, and went on to create a digital signage content management system for Alexandria’s 60+ high-tech office buildings across the country.

In 2020 I expanded my focus into social media by producing a video advertising campaign that launched a Visa executive’s speaking career by generating 30,000 social media engagements in five months. Since then I’ve continued designing creative presentations, producing videos, and writing social media campaigns for a wide range of brands including the University of San Francisco and Meta. I love working with high-performance creative teams on exciting projects and enjoy utilizing my creative background to work at the intersection of design, entertainment, and culture.

https://www.ianmaisel.com
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