Blonde on Blonde

It's 1965 and Bob Dylan strides into the studio—hair like a thundercloud, harmonica in hand, and a smirk that could knock you flat. The result? Blonde on Blonde. It’s not just an album; it’s a high-wire act between poetry and chaos, where every lyric feels like a secret only Dylan truly understands. Folk fans gasped. Rock fans rejoiced. The world? Forever changed.

This was Dylan before the Highway 61 Revisited explosion, already blurring the lines between folk prophet and rock renegade. “Just Like a Woman”? Half love song, half slow-burn takedown. Every track on the album is a reminder that Dylan wasn’t just singing—he was sparring. And winning.

Fast forward to 2025, and Timothée Chalamet brings that same enigmatic energy to A Complete Unknown. His performance doesn’t just capture Dylan—it channels him: the genius, the mystery, and the maddening brilliance of a man who redefined music. Honestly? It’s so good, even Dylan might crack a smile. #BlondeonBlonde #ACompleteUnknown #TimotheeChalamet #BobDylan

Ian Maisel

When I was in high school I worked as a movie theater projectionist, acted in my school plays, and published a series of autobiographical comic books that I sold at music and bookstores. I’ve always loved entertainment, and at Brown University I double majored in Visual Arts and Modern European History because the history teachers told the best stories.

My career began at an artificial intelligence startup company where I worked as a graphic designer and animator creating 3D avatars for virtual personalities. I used a program called Poser that was kind of like a Barbie Dream House for cartoons. My comic illustrations were published in the international edition of Time magazine.

In 2006, I completed a graduate Certificate of Publishing and Communications at Harvard University, where I studied creative writing, acting, and media production. I auditioned for the student theater and was cast in a high-brow Chekhov play and a low-brow undergraduate comedy where I played a California high school guitarist like Keanu Reeves in Bill and Ted’s Excellent Adventure.

At Boston College I continued developing my career as a graphic designer and went on to work as an animator at a Jewish nonprofit. In 2008 I left Boston to chase the California dream. I got a job in San Francisco as a litigation graphics specialist for intellectual property attorneys, and I worked on some high-stakes legal trials where I barely slept for a week!

After five years I transitioned into the corporate world and worked as a contract presentation designer at Visa and Bare Minerals. I enjoyed collaborating with senior executives to bring their ideas to life through graphic storytelling and large-scale event presentations. One of my highlights was getting to opportunity to produce an in-house interview with the supermodel Christy Turlington!

In 2017 I took on my first Senior Designer role at Alexandria Real Estate, where I designed high-end investor presentations and art directed photoshoots for major tech companies including Facebook, Google, and Pinterest. The following year I flew out to LA to study video production, and went on to create a digital signage content management system for Alexandria’s 60+ high-tech office buildings across the country.

In 2020 I expanded my focus into social media by producing a video advertising campaign that launched a Visa executive’s speaking career by generating 30,000 social media engagements in five months. Since then I’ve continued designing creative presentations, producing videos, and writing social media campaigns for a wide range of brands including the University of San Francisco and Meta. I love working with high-performance creative teams on exciting projects and enjoy utilizing my creative background to work at the intersection of design, entertainment, and culture.

https://www.ianmaisel.com
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